At the heart of the works are female figures bearing flames. Lyapin emphasizes that the feminine form in his art is a bearer of light, not destruction — a deliberate choice underscoring inner fire as a gesture of vulnerability and care, rather than power or domination.
The project is interwoven with references to medieval carnival — a time of inversion and release, where roles were upended, and people found liberation in laughter, play, and ritual. The torch-bearing figures in stylized, ceremonial garments seem to have stepped out of another era — evoking archetypal images that combine solemnity with theatrical flair. These sculptures resemble archaeological relics: tangible traces of imagined rites, made real in the present.
The project’s central symbol is a sculpture of a hand holding a bud-like match, embedded in stone — a symbolic gesture, perhaps an invitation, or a silent plea: Light My Fire.