Doha guide
Written and photographed by Frol Burimskiy
I first came to Qatar about 15 years ago, and I will never forget that day. It felt like landing on another planet — something close to a journey to Mars. That was the day a long and personal love story with this country began — one that still hasn't ended and never will. Qatar is about inspiration, growth, boldness and a very particular scale of human ambition. It is a place that quietly proves that everything you dare to imagine can become real. Some of the most ambitious educational, artistic and architectural projects of recent years have been realised here, where tradition meets a remarkably forward-thinking vision of contemporary art and architecture. A number of truly outstanding museum institutions have been created in Doha, and it is hard to imagine the depth of what is held within the collections of Qatar Museums. I dedicate this small guide to my dear friends in Qatar, and I hope it will bring you here one day — to see it all for yourself.

Frol Burimskiy, Flor et Lavr Gallery founder
Mathaf 

One of the key institutions in the region fully dedicated to modern and contemporary art from the Arab world. The museum holds one of the largest collections of its kind and maintains a strong research focus. It is built on the collection of Sheikh Hassan bin Mohammed bin Ali Al Thani. Housed in a former school building, it subtly connects its educational role with its research function. The name Mathaf simply means “museum” in Arabic, but here it becomes something more specific: a collection of over nine thousand works spanning more than a century of Arab art. Much of what shapes Doha’s cultural scene today can be traced back to one figure — Sheikha Al Mayassa bint Hamad, chair of Qatar Museums. ArtReview has twice named her the most powerful person in the contemporary art world, while Bloomberg once estimated her annual art acquisition budget at around one billion dollars. She has consistently resisted the model of satellite branches of Western museums adopted by other Gulf states, instead focusing on building a local cultural ecosystem. Mathaf, the Museum of Islamic Art, the National Museum of Qatar, Fire Station, and the large-scale public art program are all part of a long-term vision she has been shaping since 2006.
Louise Bourgeois Spider
Qatar National Convention Centre
qm.org.qa

Inside the convention centre you can find Maman, one of Louise Bourgeois’s most iconic works, where the spider becomes a symbol of motherhood, strength, and protection. Nearby, at Sidra Medicine, stands The Miraculous Journey by Damien Hirst — a series of fourteen sculptures tracing the stages of human development before birth. This is the largest permanent installation of the series in the world, with the tallest figure reaching fourteen meters. When unveiled in 2013, the work sparked widespread debate — a reminder of how seriously public art is taken in this city.